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Volume 6, Issue 3

Fall 2013

Music and the Moving Image Cover Image for Volume 6, Issue 3

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ISSN 2167-8464

EISSN 1940-7610

In this Issue

ARTICLE
ELMER BERNSTEIN'S ORCHESTRATORS
PANEL DISCUSSION: SONGS IN FILMS PART TWO

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ARTICLE

Music over Words and Sound over Image: "Rock Around the Clock" and The Centrality of Music in Post-Classical Film Narration

Paul N. Reinsch

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ELMER BERNSTEIN'S ORCHESTRATORS

Introduction

Ron Sadoff

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Interview of Patrick Russ

Michael Patterson; Ron Sadoff

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Interview of Peter Bernstein

Gillian B. Anderson

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Interview of David Spear

Ron Sadoff

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PANEL DISCUSSION: SONGS IN FILMS PART TWO

Panel Discussion: Songs in Films Part Two

Phil Galdston; Dan Carlin; Philip Tagg; Kevin Donnelly; Robynn Stilwell ...

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About the Authors

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Front Matter

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“Where All Dreams Are Good Dreams”? The Dramatic Function of the Lullaby in Disney's Animated Feature Films and the Trope of the Romantic Mother

Formal Integration and Star-Song Attractions in the Cavalcade Musical: A Historical and Digital Analysis of MGM's An American in Paris (1951)

“Do You Hear the People Sing?”: Live Singing in Tom Hooper's Les Misérables

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Online ISSN 1940-7610
Print ISSN 2167-8464

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A Duke University Press initiative
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