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Music and the Moving Image
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Spring - Volume 4, Issue 1
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Volume 4, Issue 3
Fall 2011
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ISSN
2167-8464
EISSN
1940-7610
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The Unbearable Lightness of Being: Alan Splet and the Dual Role of Editing Sound and Music
Liz Greene
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titled, The Unbearable Lightness of Being: Alan Splet and the Dual Role of Editing Sound and Music
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Notes for a Dramaturgy of Sound in Fellini’s Cinema: The Electroacoustic Sound Library of the 1960s
Maurizio Corbella
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titled, Notes for a Dramaturgy of Sound in Fellini’s Cinema: The Electroacoustic Sound Library of the 1960s
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Testing Art with a Live Studio Audience: John Cage at an Intersection of Popular Television and the Avant-Garde
Andre Mount
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titled, Testing Art with a Live Studio Audience: John Cage at an Intersection of Popular Television and the Avant-Garde
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