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Volume 1, Issue 1
Spring 2008
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ISSN
2167-8464
EISSN
1940-7610
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From The Editors:
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titled, From The Editors:
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How Not to Think Film Music
Royal S. Brown
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titled, How Not to Think Film Music
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A Musical Approach to Filmmaking: Hip-hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky’s
π
Danijela Kulezic-Wilson
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titled, A Musical Approach to Filmmaking: Hip-hop and Techno Composing Techniques and Models of Structuring in Darren Aronofsky’s <em>π</em>
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Grand Theft Audio? Popular Music and Intellectual Property in Video Games
Karen Collins
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titled, Grand Theft Audio? Popular Music and Intellectual Property in Video Games
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Music, Noise, and Nature: Energetic Ambiguities in Benedikt Erlingsson's
Woman at War
Introduction: Listening to/with Game Worlds
A Disney Requiem? Iterations of the “Dies irae” in the Score to
The Lion King
(1994)
Affective Zones: The Spaces of Possibility in Video Game Music
Music Editing: Process to Practice—Bridging the Varied Perspectives in Filmmaking and Storytelling: 2016 Music and the Moving Image Conference Keynote Address
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