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Volume 72, Issue 1-2
Spring-Summer 2020
Issue Cover
ISSN 0742-4671
EISSN 1934-6018
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Film and Media Festivals in Academia

Introduction to Special Issue
Elsa Lankford; Laura Vazquez
View articletitled, Introduction to Special Issue
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Media Arts Festivals: Scholarship and Artistry in Practice
Elsa Lankford; Laura Vazquez
View articletitled, Media Arts Festivals: Scholarship and Artistry in Practice
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Film Festivals of the 1970s and the Subject of Feminist Film Studies: Collaborations and Regimes of Knowledge Production
Antoine Damiens
View articletitled, Film Festivals of the 1970s and the Subject of Feminist Film Studies: Collaborations and Regimes of Knowledge Production
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The Beyond Babel Multilingual Film Festival
Carmen Herrero
View articletitled, The Beyond Babel Multilingual Film Festival
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The World Screen: Japan’s Cinematic Reinvention and International Film Festivals
Lance Lomax
View articletitled, The World Screen: Japan’s Cinematic Reinvention and International Film Festivals
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FESPACO—Promoting African Film Development and Scholarship
M. Africanus Aveh
View articletitled, FESPACO—Promoting African Film Development and Scholarship
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Activist Praxis Meets Project-Based Learning: A Case Study of Student Involvement at the Chicago Feminist Film Festival
Susan Kerns; Michelle Yates
View articletitled, Activist Praxis Meets Project-Based Learning: A Case Study of Student Involvement at the Chicago Feminist Film Festival
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Festival Mamas Building the Women’s Club: A Case Study
Ann Breidenbach
View articletitled, Festival Mamas Building the Women’s Club: A Case Study
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ESSAY

Constructing the Eternal Present: Chaplin’s Tramp as Lived Principle of Constructivist Organization
Chris Bollini
View articletitled, Constructing the Eternal Present: Chaplin’s Tramp as Lived Principle of Constructivist Organization
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BOOK REVIEWS

BACKWARDS AND IN HEELS: THE PAST, PRESENT AND FUTURE OF WOMEN WORKING IN FILM
Gordon Alley-Young
View articletitled, BACKWARDS AND IN HEELS: THE PAST, PRESENT AND FUTURE OF WOMEN WORKING IN FILM
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PINK-SLIPPED: WHAT HAPPENED TO WOMEN IN THE SILENT FILM INDUSTRIES?
Rebecca M. Alvin
View articletitled, PINK-SLIPPED: WHAT HAPPENED TO WOMEN IN THE SILENT FILM INDUSTRIES?
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THE LONG TAKE: ART CINEMA AND THE WONDROUS
Alex W. Bordino
View articletitled, THE LONG TAKE: ART CINEMA AND THE WONDROUS
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BEYOND METHOD: STELLA ADLER AND THE MALE ACTOR
Diane Carson
View articletitled, BEYOND METHOD: STELLA ADLER AND THE MALE ACTOR
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INTERPRETING ANIME
William B. Covey
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CLASSICAL STORYTELLING AND CONTEMPORARY SCREENWRITING: ARISTOTLE AND THE MODERN SCRIPTWRITER
Rani Deighe Crowe
View articletitled, CLASSICAL STORYTELLING AND CONTEMPORARY SCREENWRITING: ARISTOTLE AND THE MODERN SCRIPTWRITER
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OFF THE CLIFF: HOW THE MAKING OF THELMA AND LOUISE DROVE HOLLYWOOD TO THE EDGE
Lucas Cuny
View articletitled, OFF THE CLIFF: HOW THE MAKING OF <em>THELMA AND LOUISE</em> DROVE HOLLYWOOD TO THE EDGE
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GOING VIRAL: ZOMBIES, VIRUSES, AND THE END OF THE WORLD
Thomas Delapa
View articletitled, GOING VIRAL: ZOMBIES, VIRUSES, AND THE END OF THE WORLD
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VAMPIRES, RACE, AND TRANSNATIONAL HOLLYWOODS
Olga Gershenson
View articletitled, VAMPIRES, RACE, AND TRANSNATIONAL HOLLYWOODS
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AVANT-DOC: INTERSECTIONS OF AVANT-GARDE CINEMA
Shara K. Lange
View articletitled, AVANT-DOC: INTERSECTIONS OF AVANT-GARDE CINEMA
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I-DOCS: THE EVOLVING PRACTICES OF INTERACTIVE DOCUMENTARY
Michael R. Ogden
View articletitled, I-DOCS: THE EVOLVING PRACTICES OF INTERACTIVE DOCUMENTARY
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LOS ANGELES DOCUMENTARY AND THE PRODUCTION OF PUBLIC HISTORY, 1958-1977
Joanna Randall
View articletitled, LOS ANGELES DOCUMENTARY AND THE PRODUCTION OF PUBLIC HISTORY, 1958-1977
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NOBODY’S GIRL FRIDAY
Eileen White
View articletitled, NOBODY’S GIRL FRIDAY
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