Abstract
The Italian term sprezzatura refers to making what one does appear nonchalant and effortless when it in fact involves calculation and effort. This notion, which comes from Baldassare Castiglione's The Book of the Courtier, captures a practice that permeates many areas of our aesthetic lives, from the performing arts to everyday social interactions, and is useful for criticism and appreciation. However, this concept has received little attention in philosophical aesthetics. By filling out and making more precise Castiglione's casual and indirect remarks about sprezzatura, I show how this concept both points to heretofore underappreciated aesthetic values and helps us see important aesthetic and moral differences between cases that otherwise seem alike.
