Abstract
John Dewey's second chapter of Art as Experience, “Ethereal Things,” captures in a nutshell a radically new approach to philosophy where the aesthetic takes center stage. The key is to see the aesthetic as something much broader than it is generally conceived. It covers not just art and nature, or even art, nature, and everyday life, but life itself, and in particular human life. But human life is seen as continuous with the life of the animal, the live creature interacting with its environment. Experience begins with sense perception that is, itself, a negotiation of past and present, where things are imbued with meaning as cause and effect are turned into intention and consequence. Experience also has a range going from mere mechanical perception and labeling towards something much more complex. The highest culmination of experience is a mystic-like consummation, a point at which experience is a joyous reward of expanding and enriched life. Dewey speaks of “the power of sense to absorb the most highly spiritualized ideas.” One can see him, in this regard, as the opposite of Plato, for whom the sensuous world, at best, imitates the world of Ideas. For Dewey, ethereal things are not eliminated but, rather, brought into the world of sense.
