Abstract
In Book X of the Republic, Plato develops a structured criticism of the images of painting in order to denigrate, by means of analogy, the cognitive value of poetry. Yet Plato persistently employs verbal images at points of utmost importance with regard to his philosophical aims. In the face of Plato's critique of the image, his methodic use of images can seem paradoxical: critique and method point in opposing directions with regard to the cognitive value of the image. The aim of this article is to promote a moderate cognitivist stance on Plato's use of verbal images, using to this end the understanding that contemporary philosophy affords us. Operating through the lens of the metaphor of “philosophical paintings,” which they deem as apt and instructive, the authors (a) trace in Book X's critique of painting the specific properties of the verbal images that can allow a cognitive function in the context of philosophical instruction, (b) examine and refute a pertinent objection to this moderate cognitivist stance, and (c) argue for the overall consistency between the critique of Book X and Plato's use of verbal images, drawing on evidence in Plato's practice that he acknowledges the risk of the image's allure and is proactive in relation to this risk.
