Italian American studies has always been an interdisciplinary enterprise. As my object of analysis is literature, I have benefited from theories on ethnicity, critical race, and gender studies to inform my interpretive analyses of literary Italian Americana. For the purposes of this essay, I also reprise and extend Paul Lauter's organizing principle of pairing texts, a comparative approach that invites an intersectional analysis of how categories of race and gender undergird the structures of Kym Ragusa's and Claudia Rankine's experimental narratives (Lauter 1991, 39).1 I place Ragusa's The Skin Between Us: A Memoir of Race, Beauty, and Belonging (2006) next to Rankine's Citizen: An American Lyric (2014) in order to focus more fully on how these authors represent their narrators coping with the dominant culture of whiteness and also how they represent their responses to being racialized as other.2 I pair The Skin Between Us and Citizen...

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