Abstract

Musical collaborations between Native North American tradition bearers and non- Native musicians are no longer rare events, but such encounters continue to involve the dynamics of cultural hegemony and negotiations between different modes of musical thinking. Two projects involving the Seattle Symphony Orchestra, Western art music composers, and Coast Salish tribes of western Washington State exemplify the complex processes of intercultural relationship in the composition and performance of two works, “The Healing Heart of the People of this Land,” and “Potlatch Symphony.” In this paper I focus on the strategies employed by local Native participants to maintain traditional protocols for the distribution and performance of Coast Salish songs.

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