Abstract
This paper explores an ecological approach to the perception of musical meaning. Ethnographically informed by a Yoreme understanding of seeing and hearing as interrelated perceptual activities, this paper critically evaluates the concept of soundscape and the dichotomization and hierarchization of our (Western) perception faculties. It is a contribution to the growing number of publications with an integrative humanistic-scientific theoretical approach to ethnomusicology, based on insights gained from indigenous cosmovision, perception of sound, and human-animal-environment relationships.
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Copyright 2014 by the Board of Trustees of the University of Illinois
2014
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