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Volume 40, Issue 3
Fall 2022
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ISSN 0734-4392
EISSN 1945-2349
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Special Forum On Public Musicology and Music of Asian America

Guest Editors’ Introduction: Opening Conversations that Matter in Public Music Studies
Mandi Magnuson-Hung; Eric Hung
View articletitled, Guest Editors’ Introduction: Opening Conversations that Matter in Public Music Studies
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Reparative Public Musicology: Empowering and Centering Community Knowledge Production through Counter-Storytelling Practice
Jasmine A. Henry
View articletitled, Reparative Public Musicology: Empowering and Centering Community Knowledge Production through Counter-Storytelling Practice
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Applying Commemorative Museum Pedagogy to Public Music Studies
Eric Hung
View articletitled, Applying Commemorative Museum Pedagogy to Public Music Studies
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Asian American Female Composers and Digital Memory
Jennifer C. H. J. Wilson
View articletitled, Asian American Female Composers and Digital Memory
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Cambodian American Listening as Memory Work
Brian V. Sengdala
View articletitled, Cambodian American Listening as Memory Work
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Articles

“You Gotta Accentuate the Positive”: Japanese American Affirmation and Resilience in The Camp Dance: The Music and the Memories
Diana Wu
View articletitled, “You Gotta Accentuate the Positive”: Japanese American Affirmation and Resilience in <em>The Camp Dance: The Music and the Memories</em>
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Smears, Laughs, and Barnyard Hokum: Early Jazz Trombone and the Problem of Novelty
Ken Prouty
View articletitled, Smears, Laughs, and Barnyard Hokum: Early Jazz Trombone and the Problem of Novelty
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Book Reviews

After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti
Jessica C. Hajek
View articletitled, After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti
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Bossa Mundo: Brazilian Music in Transnational Media Industries
Michael Iyanaga
View articletitled, Bossa Mundo: Brazilian Music in Transnational Media Industries
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