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Volume 40, Issue 1

Spring 2022

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ISSN 0734-4392

EISSN 1945-2349

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ARTICLES

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ARTICLES

Stephen Foster and the Slavery Question

Christopher Lynch

View articletitled, Stephen Foster and the Slavery Question

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Navigating Black Identity and White Desire: Seven-Eleven and the 1920s Crossover Musical Comedy

Peter Graff

View articletitled, Navigating Black Identity and White Desire: <em>Seven-Eleven</em> and the 1920s Crossover Musical Comedy

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Defining Conjunto Quantitatively: Classical and Modernist Styles in a Texas-Mexican Genre

Erin E. Bauer

View articletitled, Defining <em>Conjunto</em> Quantitatively: Classical and Modernist Styles in a Texas-Mexican Genre

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Making an American Opera Career: Conductor May Valentine (1890–1974) and a Woman's Role(s) in the Business of Opera

C. A. Norling

View articletitled, Making an American Opera Career: Conductor May Valentine (1890–1974) and a Woman's Role(s) in the Business of Opera

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Guest Editor's Introduction: The Ballets Russes in North America

How a White Supremacist Became Famous for His Black Music: John Powell and Rhapsodie nègre (1918)

Musicking Fan Culture and Circulating the Materiality of Taylor Swift Musical Greeting Cards on YouTube

Editor's Introduction

"A Fifth of Beethoven": Disco, Classical Music, and the Politics of Inclusion

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Online ISSN 1945-2349
Print ISSN 0734-4392

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