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Volume 39, Issue 3

Fall 2021

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ISSN 0734-4392

EISSN 1945-2349

In this Issue

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BOOK REVIEWS

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ARTICLES

“One Fine Night in Veracruz”

Elisabeth Le Guin

View articletitled, “One Fine Night in Veracruz”

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The Sonic Politics of the US Abortion Wars

Rebecca Lentjes

View articletitled, The Sonic Politics of the US Abortion Wars

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Race and the Legacy of the World’s Columbian Exposition in American Popular Theater from the Gilded Age to Show Boat (1927)

David C. Paul

View articletitled, Race and the Legacy of the World’s Columbian Exposition in American Popular Theater from the Gilded Age to <em>Show Boat</em> (1927)

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Nonmusicians as “Pillars” and “Icons” of US DIY Music Scenes

David Verbuč

View articletitled, Nonmusicians as “Pillars” and “Icons” of US DIY Music Scenes

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BOOK REVIEWS

Músicas coloniales a debate: Procesos de intercambio euroamericanos

Walter Aaron Clark

View articletitled, Músicas coloniales a debate: Procesos de intercambio euroamericanos

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The Invention of Latin American Music: A Transnational History

Eduardo Herrera

View articletitled, The Invention of Latin American Music: A Transnational History

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Editor's Introduction

How a White Supremacist Became Famous for His Black Music: John Powell and Rhapsodie nègre (1918)

"A Fifth of Beethoven": Disco, Classical Music, and the Politics of Inclusion

Guest Editor's Introduction: The Ballets Russes in North America

Musicking Fan Culture and Circulating the Materiality of Taylor Swift Musical Greeting Cards on YouTube

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Online ISSN 1945-2349
Print ISSN 0734-4392

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