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Volume 38, Issue 2
Summer 2020
Issue Cover
ISSN 0734-4392
EISSN 1945-2349
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Platforms, Labor, and Community in Online Listening

Guest Editors’ Introduction: Platforms, Labor, and Community in Online Listening
Kate Galloway; K. E. Goldschmitt; Paula Harper
View articletitled, Guest Editors’ Introduction: Platforms, Labor, and Community in Online Listening
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ARTICLES

The Long History of the 2017 Spotify “Fake Music” Scandal
K. E. Goldschmitt
View articletitled, The Long History of the 2017 Spotify “Fake Music” Scandal
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Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy
Eric Drott
View articletitled, Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy
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Chance the Rapper, Spotify, and Musical Categorization in the 2010s
Tom Johnson
View articletitled, Chance the Rapper, Spotify, and Musical Categorization in the 2010s
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Circulatory Maintenance: The Entailments of Participation in Digital Music Platforms
Blake Durham
View articletitled, Circulatory Maintenance: The Entailments of Participation in Digital Music Platforms
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Receiving, Remixing, Recuperating “Rebecca Black—Friday”
Paula Harper
View articletitled, Receiving, Remixing, Recuperating “Rebecca Black—Friday”
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Musicking Fan Culture and Circulating the Materiality of Taylor Swift Musical Greeting Cards on YouTube
Kate Galloway
View articletitled, Musicking Fan Culture and Circulating the Materiality of Taylor Swift Musical Greeting Cards on YouTube
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