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Volume 38, Issue 1
Spring 2020
Issue Cover
ISSN 0734-4392
EISSN 1945-2349
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Editor’s Introduction
Todd Decker
View articletitled, Editor’s Introduction
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ARTICLES

Reciting Parsifal: Opera as Spoken-Word Performance in America
Marian Wilson Kimber
View articletitled, Reciting <em>Parsifal</em>: Opera as Spoken-Word Performance in America
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From the Sidelines: Reginald Beane’s Broadway
Julianne Lindberg
View articletitled, From the Sidelines: Reginald Beane’s Broadway
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Musofun: Joseph Schillinger’s Musical Game between American Music, the Soviet Avant-Garde, and Combinatorics
Nikita Braguinski
View articletitled, Musofun: Joseph Schillinger’s Musical Game between American Music, the Soviet Avant-Garde, and Combinatorics
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From “the Chord Was King” to “a Dynamic Journey”: Changes in the Barbershop Quartet Style in Contests Since the 1950s
Robert G. Hopkins
View articletitled, From “the Chord Was King” to “a Dynamic Journey”: Changes in the Barbershop Quartet Style in Contests Since the 1950s
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BOOK REVIEWS

The Original Blues: The Emergence of the Blues in African American Vaudeville
Thomas L. Riis
View articletitled, The Original Blues: The Emergence of the Blues in African American Vaudeville
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Unlimited Replays: Video Games and Classical Music
Ryan Thompson
View articletitled, Unlimited Replays: Video Games and Classical Music
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“Very Good for an American”: Essays on Edward MacDowell
Jacob A. Cohen
View articletitled, “Very Good for an American”: Essays on Edward MacDowell
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Charles Ives’s “Concord”: Essays after a Sonata
Geoffrey Block
View articletitled, Charles Ives’s “Concord”: Essays after a Sonata
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On the Road & Off the Record with Leonard Bernstein: My Years with the Exasperating Genius
Ann Glazer Niren
View articletitled, On the Road &amp; Off the Record with Leonard Bernstein: My Years with the Exasperating Genius
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