I met the musicological titan, Guthrie “Guy” Ramsey, Jr., at my very first American Musicological Society conference in 2007 at Quebec City. Ramsey sat on Charles Atkins's presidential plenary panel on the topic of race and ethnicity, one of many convenings on the topic since then. Although I hadn't fully settled on being a professional musicologist at the time (I was still in my MA program at Catholic University), when I heard Ramsey speak, I felt a familiarity, a likeness that I did not experience as the norm at this mostly white academic music conference. (Ramsey was also my most direct link to trailblazing Black music scholars Eileen Southern and Samuel Floyd, Jr., whose work I had encountered during my MA studies). It was clear to me that I was witnessing an intellectual giant, one who also spoke with a voice of comfort, self-awareness, and authority, with a delivery that...
Skip Nav Destination
Article navigation
Research Article|
July 01 2023
“Do You Hear Me, Though?”: Ramsey and the Politics of Black Music Inquiry
Matthew D. Morrison
Matthew D. Morrison
Matthew D. Morrison, a native of Charlotte, North Carolina, is an assistant professor in the Clive Davis Institute of Recorded Music in the Tisch School of the Arts at New York University. His research focuses on the history of popular music and the relationship between music, identity, and property rights, most recently supported by the ACLS Fellowship. His book, Blacksound: Making Race and Popular Music in the United States, is published with the University of California Press (March 2024).
Search for other works by this author on:
American Music (2023) 41 (2): 185–192.
Citation
Matthew D. Morrison; “Do You Hear Me, Though?”: Ramsey and the Politics of Black Music Inquiry. American Music 1 July 2023; 41 (2): 185–192. doi: https://doi.org/10.5406/19452349.41.2.07
Download citation file:
Advertisement
Total Views
8
4
Pageviews
4
PDF Downloads
Since 8/1/2024