Betraying the genre's heritage in European influences, one of the most frequently recorded songs within the Texas-Mexican conjunto tradition is the “Beer Barrel Polka,” translated into Spanish as “El Barrilito.” Composed by Czech musician Jaromír Vejvoda and popular worldwide during World War II, the tune has been recorded by a variety of conjunto artists, including the so-called “father of conjunto music” Narciso Martínez; other eminent early stars like Tony De La Rosa, Valerio Longoria, and Ruben Vela; more stylistically innovative musicians like Flaco Jiménez; and even members of the subsequent generation like Max Baca. However, contemporary Texas-Mexican musicians like Juanito Castillo, Piñata Protest, and Sunny Sauceda have not recorded the classic song. This first group of artists represents a collective tradition comprising a common repertory passed down through oral tradition. Meanwhile, recent musicians like Castillo, Piñata Protest, and Sauceda instead create original repertory alongside borrowed songs and stylistic traits from...
Defining Conjunto Quantitatively: Classical and Modernist Styles in a Texas-Mexican Genre Available to Purchase
Erin Bauer is assistant professor of musicology at the University of Wisconsin-Whitewater. Her research examines musical relationships through systems of globalization. In particular, she explores the interconnection between genre and identity as an implication of global processes. Her current book, forthcoming from University of Illinois Press, addresses the worldwide spread of Texas-Mexican conjunto music. Bauer previously served as director of instrumental music at Laramie County Community College. She holds a PhD in musicology from Claremont Graduate University.
Erin E. Bauer; Defining Conjunto Quantitatively: Classical and Modernist Styles in a Texas-Mexican Genre. American Music 1 April 2022; 40 (1): 75–113. doi: https://doi.org/10.5406/19452349.40.1.03
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