Professor of English literature, President of Yale University, and Commissioner of Major League Baseball, Angelo Bartlett Giamatti (1938–1989), delighted in saying that Emerson “is as sweet as barbed wire.”1 Giamatti understood the full range of Emerson's thought, which spans the highs and lows of the human condition. Writings such as “Experience,” “Illusions,” “The Tragic,” and “Fate” demonstrate the transcending of Emerson's transcendentalism beyond any soft Romanticism or naïve idealism. They consistently assert the reality of antagonistic forces pervading human experience and nature. “The Tragic” opens with the lines: “He has seen but half the universe who never has been shown the House of Pain. As the salt sea covers more than two thirds of the surface of the globe, so sorrow encroaches in man on felicity” (CW 10:334).2 “Fate” similarly insists: “We cannot trifle with this reality [of fate], this cropping-out in our planted gardens of the...
Self-Culture in Emerson's Schellingian Solution to Fate
Nicholas L. Guardiano is Alwin C. Carus Archivist and Professor of Philosophy at Southern Illinois University Carbondale. He specializes in American transcendentalism and pragmatism (esp. Ralph Waldo Emerson and Charles Peirce), metaphysics, aesthetics, philosophy of nature, semiotics, and nineteenth-century American art. He teaches broadly in the history of philosophy, as well as oversees the philosophy collections at the Special Collections Research Center. He is author of Aesthetic Transcendentalism in Emerson, Peirce, and Nineteenth-Century American Landscape Painting (Lexington Books, 2017).
Nicholas L. Guardiano; Self-Culture in Emerson's Schellingian Solution to Fate. American Journal of Theology & Philosophy 1 May 2024; 45 (2): 28–43. doi: https://doi.org/10.5406/21564795.45.2.02
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