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Volume 32, Issue 1-2
December 2015
William Carlos Williams Review Cover Image for Volume 32, Issue 1-2
ISSN 0196-6286
EISSN 1935-0244
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Introduction
Paul Cappucci; Daniel Morris
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ARTICLES

Thin and Tantalizing: The Armory Show at 100
Lisa Siraganian
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Painting Williams, Reading Demuth: “The Great Figure” and I Saw the Figure 5 in Gold
Daniel R. Schwarz
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Form and Experience: Williams, Dewey, and the Origins of American Postmodernism
Stephen Fredman
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“This Is Just to Say This Is the End of Art: Williams and the Aesthetic Attitude”
Daniel Morris
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Ways of Seeing Williams’s “Pictures from Brueghel”
Charlotte L. Kent
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Improvisation at the Armory Show: An Approach to Understanding Wassily Kandinsky’s Influence on the Writings of William Carlos Williams
Paul Cappucci
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The Poem on the Page, or the Visual Poetics of William Carlos Williams
Peter Halter
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Ecocriticism and the Modern Artist’s Notice of Nature
Iris Ralph
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“There is no thing that with a twist of the imagination cannot be something else”: The Onanistic Abstraction of Duchamp and Williams
Samantha Carrick
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The Abstract Expressionist Housewife: Fracture, Transposition, Williams and the Three Phases of Modernism
Stephen Paul Miller
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Destruction and Universals in William Carlos Williams’s The Wedge
Barrett Watten
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