ABSTRACT

Poetry is formal. It selects and patterns forms that are analogically related. Form is closely related to rhythm. Rhythm is componential. Form is paradigmatic. The qualities of the rhythmic components are the source of formal paradigms. Rhythm creates (subjective) time. Therefore, a poetics based on rhythm is a temporal poetics. This essay reads Elizabeth Bishop's “The Map” from the viewpoint of just such a temporal poetics.

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