ABSTRACT
This article recovers the figure of the ancient satyr as a mythic modality of satire by reimagining Kenneth Burke's own satires as exemplary of satyric rhetoric. First, it dispels the notion that, on one hand, satire and the satyr are unrelated because of uncertain etymologies and, on the other, that satire is an inherently destructive critical enterprise. Myth is deployed as a constructive means of juxtaposing Burke's conceptualization of satyrs with that of Friedrich Nietzsche. The Helhaven satire and “Epilogue: Prologue in Heaven” are then presented as illustrations of the satyric lurking throughout Burke's philosophy. Ultimately, a case is made for the figure of the satyr as a mythic goad by which to revise our understanding of contemporary satire as a comic enterprise. The article also serves as a resource for conceiving satyric correctives as the comic corrective pushed to the end of its line.