Abstract
This article aims to provide a minimal interpretation of the theme of aesthetic justification of life in Birth of Tragedy without relying on any substantial metaphysical claim about reality, presenting it rather as a practical and naturalistic response that is valuable and feasible regardless of one’s acceptance of Nietzsche’s metaphysical position, if he has any. According to this interpretation, the aesthetic justification of the Apolline and the Dionysiac metaphysical solace are originally instinctual remedies nature provides to address our naturally aroused metaphysical need. The Apolline seeks to cultivate acceptance of suffering, liberating individuals from the burden of attempting to alter their human condition fundamentally. The Dionysiac treatment turns to metaphysical solace in the face of death, seeking to make the human encounter with death bearable by fostering a sense of unity with a higher whole or community and reconnecting individuals with nature and their animality.