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Volume 16
1982
Milton Studies Cover Image for Volume 16
ISSN 0076-8820
EISSN 2330-796X
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EVE, THE SEPARATION SCENE, AND THE RENAISSANCE IDEA OF ANDROGYNY
Marilyn R. Farwell
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“AND BROUGHT HER INTO THE MAN”: THE WEDDING IN “PARADISE LOST”
Cheryl H. Fresch
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ERUPTION AND CONTAINMENT: THE SATANIC PREDICAMENT IN “PARADISE LOST”
Jules David Law
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TIME, FREEDOM, AND FOREKNOWLEDGE IN “PARADISE LOST”
R. D. Bedford
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“PARDON ME, MIGHTY POET”: VERSIONS OF THE BARD IN MARVELL'S “ON MR. MILTON'S “PARADISE LOST””
Kenneth Gross
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PATIENCE AND THE HUMBLY EXALTED HEROISM OF MILTON'S MESSIAH: TYPOLOGICAL AND ICONOGRAPHIC BACKGROUND
Gerald J. Schiffhorst
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SION'S BACCHANALIA: AN INQUIRY INTO MILTON'S LATIN IN THE “EPITAPHIUM DAMONIS”
John K. Hale
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MILTON AND THE DIVINE ART OF WEAPONRY: “THAT TWO-HANDED ENGINE” AND BUNYAN'S “NAMELESS TERRIBLE INSTRUMENT” AT MOUTHGATE
James F. Forrest
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GARLANDING THE DEAD: THE EPICEDIAL GARLAND IN “LYCIDAS”
Charlotte F. Otten
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WORDS, WORDS, WORDS, AND THE WORD: MILTON'S OF “PRELATICAL EPISCOPACY”
Thomas Kranidas
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ALLEGORICAL POETRY IN MILTON'S LUDLOW MASK
Kathleen M. Swaim
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