Skip to Main Content
Umbrella Alt Text
header search
Search
Advanced Search
Cart
Skip Nav Destination

Issues

Browse by volume
Volume 3, Issue 2
December 2018
Issue Cover
ISSN 2380-7679
EISSN 2380-7687
In this Issue
Search within issue
Letter from the Guest Editor
Sean Lowry
View articletitled, Letter from the Guest Editor
Open the PDF for in another window

ARTICLES

The Originality of Copies: Cover Versions and Versioning in Remix Practice
Eduardo Navas
View articletitled, The Originality of Copies: Cover Versions and Versioning in Remix Practice
Open the PDF for in another window
Andy Warhol, Sarah Bernhardt, and the “Original Copy”
Ilmar Taimre
View articletitled, Andy Warhol, Sarah Bernhardt, and the “Original Copy”
Open the PDF for in another window
Uncovering the Unheard: A Multimedia Performance and Installation Inspired by Ophelia’s Drowning in William Shakespeare’s Hamlet
Niki Tulk
View articletitled, Uncovering the Unheard: A Multimedia Performance and Installation Inspired by Ophelia’s Drowning in William Shakespeare’s <em>Hamlet</em>
Open the PDF for in another window
Beyoncé and the Frump: Cover-Versioning in Dance
Pauline Manley
View articletitled, Beyoncé and the Frump: Cover-Versioning in Dance
Open the PDF for in another window
Selective Historical Precedents in Appropriation as Cover Version
Masato Takasaka
View articletitled, Selective Historical Precedents in Appropriation as Cover Version
Open the PDF for in another window

Supplemental Articles

Madame Midas (1888): One of Fergus Hume’s Attempts to Replicate Publishing Glory
Rachel Franks
View articletitled, <em>Madame Midas</em> (1888): One of Fergus Hume’s Attempts to Replicate Publishing Glory
Open the PDF for in another window
Glocalization, Hard-won Status, and Performative Femininity: A Case Study of The Real Housewives Format
Rosser Johnson; Rebecca Trelease
View articletitled, Glocalization, Hard-won Status, and Performative Femininity: A Case Study of <em>The Real Housewives</em> Format
Open the PDF for in another window

Reviews

Political Representation in Slavoj Žižek’s Antigone and Marvel Studio’s Black Panther
Aleksandr Andreas Wansbrough
View articletitled, Political Representation in Slavoj Žižek’s Antigone and Marvel Studio’s Black Panther
Open the PDF for in another window
Pink Floyd: The Early Years 1965–1972
Jonathan McBurnie
View articletitled, Pink Floyd: <em>The Early Years 1965–1972</em>
Open the PDF for in another window
All Issues

Advertisement

  • Online ISSN 2380-7687
  • Print ISSN 2380-7679
Close Modal
This Feature Is Available To Subscribers Only

or Create an Account

Close Modal
Close Modal
This site uses cookies. By continuing to use our website, you are agreeing to our privacy policy.
Accept