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Volume 6
June 2022
The Harold Pinter Review Cover Image for Volume 6
ISSN 2473-8433
EISSN 2473-8441
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Editor’s Note: Change, COVID, and The Harold Pinter Review
Ann C. Hall, Editor
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ARTICLES

“A Damn Good Game”: Hegemonic Masculinity in Harold Pinter’s Betrayal
Alix Burbridge
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Metamimesis in Harold Pinter’s Old Times
Guy Zimmerman
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“Get Back to Your Trough”: Postcolonialism in Harold Pinter’s The Caretaker
Farah Ali
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Adrienne Kennedy’s Mom, How Did You Meet the Beatles?: Taking a Pause Out of the Pandemic
Baron Kelly
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Performance Review

The Dumb Waiter (in camera)
Judith Saunders
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Book Reviews

The King and the Catholics: England, Ireland, and the Fight for Religious Freedom, 1780–1829
Ann C. Hall
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Tom Stoppard: A Life
Charles Grimes
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CONFERENCE PROCEEDINGS

“If We Changed Clothes, Sir, We Could Get Things Back to Normal”: Full Frontal Assault and Gender Norms in What the Butler Saw
Alan Nadel
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To “Throw Off the Cloak of Representation”: Absurd and Precarious Aesthetics in Hito Steyerl’s How Not to Be Seen
Flora K. Schildknecht
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A Horse Is a Horse: Theatre of the Absurd Traditions in 1960s Fantasy Situation Comedies
Nancy C. Jones
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Smith and Smitherson’s Theatre of the Absurd: Virtual Reality and Theatricality in Accounting+
Katie Cross Gibson
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The Future Is Eugène: A Play (Performed at the University of Louisville Conference on Film and Literature, February 2022)
Judith Roof
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