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Volume 5, Issue 1
May 2021
The Harold Pinter Review Cover Image for Volume 5, Issue 1
ISSN 2473-8433
EISSN 2473-8441
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Editor's Note: Harold Pinter's Pandemic Aesthetics: Pinter, COVID, and Black Lives Matter
Ann C. Hall
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ARTICLES

Sparks
Judith Roof
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Pinter in the Time of Pandemic: Reflections on Medical Metaphors in A Kind of Alaska
Arka Chattopadhyay
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Palliative Care and the Dance of Death in Harold Pinter's Moonlight
Lucy Jeffery
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Making Theatre during COVID-19: Questions and Observations about Virtual “Theatre”
Russell Vandenbroucke
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Anarchy, Racism, Storytelling, and Broken Politics: The State of the Union
Robert Barry Fleming
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Reflections of a Jewish Theatremaker During the Pandemic
David Chack
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Pinterian Violence and the Problem of Affirmation
Stephen Watt
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Pinter and Poetry
Peter Lawson
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Radio Aesthetics in Pinter's Early Drama
Pim Verhulst
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“Our Beginnings Never Know Our Ends”: Archiving Harold Pinter at the British Library
Zoë Wilcox; Jamie Andrews
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When Narrative Becomes Theatrical: A Narratological Approach to Modern and Contemporary Irish Drama
Maha Alatawi
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What Do We Teach When We Teach Harold Pinter?
Matthew Roberts
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Book Reviews

The Late Work of Sam Shepard
Andrew Petracca
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Adaptation and Nation: Theatrical Contexts for Contemporary English and Irish Drama
Polly L. Heinkel
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FILM REVIEW

Pinter and Film: A Brief Reflection on The Servant (1963)
Ann C. Hall
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