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Volume 3, Issue 1
May 2019
The Harold Pinter Review Cover Image for Volume 3, Issue 1
ISSN 2473-8433
EISSN 2473-8441
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Editor's Note
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ARTICLES

Harold Pinter's Aging Male Speakers: Affect of Exhaustion and Metaphors of Agency
Arka Chattopadhyay
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Language Performing Violence and Violence Performed on Language: A Political Lesson in Harold Pinter's One for the Road, Mountain Language, The New World Order, and The Pres and an Officer
Judith Saunders
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“Men of choice and rarest parts”: The Representation of the Knights in Harold Pinter's Screenplay for The Tragedy of King Lear
Charles Morton
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The Boiling Pot: Pinter in Moscow 1970–2003
Charles Elliott Evans
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Conference Papers

Voicing Over: Power, Speech, and Performance in The Birthday Party, One for the Road, New World Order, and The Comfort of Strangers
Judith Roof
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Names and Their Doubles: Shifting Signifiers in Pinter's Plays
Melissa Ann Bailar
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Book Reviews

Staging Trauma: Bodies in Shadow
Eve Polley
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The Comic Event: Comedic Performance from the 1950s to the Present
Jeremy Killian
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The Theatre of August Wilson
Martine Kei Green-Rogers
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Perspectives on Contemporary Irish Theatre: Populating the Stage
Cathy Ryan
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My History: A Memoir of Growing Up
Ann C. Hall
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Performance Reviews

The Birthday Party
Ann C. Hall
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Pinter 1 and Pinter 2: A Conversation
Melissa Ann Bailar; Ann C. Hall; Judith Roof
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Pinter Three and Pinter Four
Doug Phillips
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