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Volume 2, Issue 1
May 2018
The Harold Pinter Review Cover Image for Volume 2, Issue 1
ISSN 2473-8433
EISSN 2473-8441
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Editor's Note
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Forum

Drama and the Digital Revolution
Tamsen Wolff
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The Drama with Drama
Stephen Watt
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Publishing and Modern Drama
R. Darren Gobert
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Drama Drama, or How the Stage Might Rise Again
Ellen MacKay
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Talking Drama, Teaching Writing
Craig N. Owens
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Pinter Performance

The Deficient Ballcock: Pinter's Comic Turn
Judith Roof
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Drowning in Your Own Blood: Embodiment in Pinter's The Homecoming
Ann C. Hall
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Radio, Pinter, and Near Nostalgia
Lance Norman
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Let Them Eat Steak: Performance Is Dead; Long Live President Drumpf
Matthew Bowman
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ARTICLES

“That Shed Out in the Garden”: The Poetics of Reference in Harold Pinter's The Caretaker
Nigel Alderman
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Considering Old Age and the Absurd in Harold Pinter's A Slight Ache
Pedro Querido
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High-Heeled Shoes and Bongo Drums: Ritual as a Dramatic Convention in Harold Pinter's The Lover
Joseph R. D'Ambrosi
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Objectification, Denial, and Transformation: A Feminist Approach to Harold Pinter's One for the Road
Christine Lambrianidis
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Whispering Together in the Dark: Rereading Samuel Beckett's Homosociality through Harold Pinter
Aaron Botwick
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Review

Traveling with Harold Pinter: Our Israeli Diary, 1978: Of That Time, Of That Place
Ann C. Hall
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