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Volume 13, Issue 1
October 2015
The F. Scott Fitzgerald Review Cover Image for Volume 13, Issue 1
ISSN 1543-3951
EISSN 1755-6333
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For Frances Kroll Ring (1916–2015)
Ruth Prigozy; Walter Raubicheck
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Editors’ Note
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Current Bibliography
Jeanne M. Alexander
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ARTICLES

The Gilded Man in Nickel City
Madison Smartt Bell
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“Mending Sails by Candlelight”: A Preface to Clothes for a Summer Hotel
Tennessee Williams
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“Civilization's Going to Pieces”: The Great Gatsby, Identity, and Race, From the Jazz Age to the Obama Era
Joseph Vogel
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Landscape with a Tragic Hero: F. Scott Fitzgerald's Trimalchio
Sara Antonelli
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The Muse and the Maker: Gender, Collaboration, and Appropriation in the Life and Work of F. Scott and Zelda Fitzgerald
Ashley Lawson
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Authorship and Artistry: Zelda Fitzgerald's “A Millionaire's Girl” and “Miss Ella”
Christine Grogan
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My Own Personal Public: Fitzgerald's Table of Contents in Tales of the Jazz Age
Ross K. Tangedal
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F. Scott Fitzgerald and Mary Harriman Rumsey: An Untold Story
Horst H. Kruse
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Party-Going in Fitzgerald and His Contemporaries
David Seed
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This Side of Sexuality: Reproductive Discourse in the Works of F. Scott Fitzgerald
Tanfer Emin Tunc
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Narrative Authority and Competing Representations: The Pat Hobby Stories and F. Scott Fitzgerald's Hollywood
James Stamant
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Master and Model: F. Scott Fitzgerald's Role in Richard Yates's “Saying Goodbye to Sally”
Steven Goldleaf
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“Scott Fitzgerald As I Knew Him”: F. Scott Fitzgerald and the Secondary Memoir
Jace Gatzemeyer
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Book Reviews

The Impossible Craft: Literary Biography
Sara A. Kosiba
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F. Scott Fitzgerald at Work: The Making of The Great Gatsby
Shosuke Kinugawa
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Tender Is the Night & F. Scott Fitzgerald's Sentimental Identities
Philip McGowan
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West of Sunset
Steven Goldleaf
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Gatsby: The Cultural History of the Great American Novel
Beyond Gatsby: How Fitzgerald, Hemingway, and Writers of the 1920s Shaped American Culture
So We Read On: How The Great Gatsby Came to Be and Why It Endures
Kirk Curnutt
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