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Volume 45, Issue 2
August 2024
Issue Cover
ISSN 1040-9483
EISSN 2161-4318
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Editor’s Foreword
J. Chris Westgate
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Lost & Found

Pauline Lord’s “My Anna Christie” a Century Later
Katie N. Johnson
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ARTICLES

Eugene O’Neill and the Unity of Addiction
Max Shulman
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All God’s Chillun Got Wings: Whiteness as Property
Ronald Quirk
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Practitioners’ Colloquium

An Unexpected Arc of Agency: A Conversation
Beth Wynstra; Eric Fraisher Hayes
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“My Anna Christie” a Century Later: Speaking Oneself into Existence as Anna and as Actor
Adrian Deane Brannen-Jurgenson
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NEW VOICES

Acts of Recovery: Eugene O’Neill and Addiction Treatment in Post–World War II America
Rebecca (Ormiston) Eacho
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Book Reviews

Racing the Great White Way: Black Performance, Eugene O’Neill, and the Transformation of Broadway
David Palmer
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Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun
Max Shulman
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Doom, Desire and the Polis in Eugene O’Neill’s Drama
Daniel Larner
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Susan Glaspell in Context
Carol DeBoer-Langworthy
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Performance Reviews

Long Day’s Journey Into Night
David Clare
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Ah, Wilderness!
Kenzie Lynn Bradley
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Big Trip 2: Three Love Stories Near the Railroad
Melissa Lin Sturges
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A Moon for the Misbegotten
Michael Y. Bennett
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“Anna Christie”
J. Chris Westgate
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