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Volume 39, Issue 2
December 2018
The Eugene O'Neill Review Cover Image for Volume 39, Issue 2
ISSN 1040-9483
EISSN 2161-4318
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Editor's Foreword
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ARTICLES

A “sort of composite backwoods-Bronx-bohunk-seaman jargon”: Tennessee Williams's Evolving Impressions of Eugene O'Neill
John S. Bak
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Recyclings and Resonances: O'Neill's Legacy of Natural Representation in American Drama
Robert Baker-White
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Tragedy Beyond Pity: A Nietzschean Appraisal of Exorcism
Jeremy Killian
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“They're lowering the boats! She is lost! She is lost!”: Maritime Disasters and Onomastics in Eugene O'Neill's Early One-Act Plays
Chloé Lucidarme
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A Homeless Architect: Nietzschean Philosophy of the Earth in The Great God Brown
Yuji Omori
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Crushing Her with the Weight of His Eloquence: Reconsidering the Theatricality of Eugene O'Neill's Stage Directions
Sarah Bess Rowen
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Book Reviews

The Theatre of Eugene O'Neill: American Modernism on the World Stage
Chloé Lucidarme
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Visions of Tragedy in Modern American Drama
J. Chris Westgate
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Performance Reviews

The Hairy Ape
Patrick Chura
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Long Day's Journey Into Night
William Davies King
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The Iceman Cometh
Ryder Thornton
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“Anna Christie,”
Beth Wynstra
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