On June 24, 2022, the US Supreme Court ruled in Dobbs v. Jackson Women’s Health Organization, effectively overturning 1972’s Roe v. Wade decision, which had guaranteed the constitutional right to abortion. Trigger laws regarding the procedure sprang up in several states. These recent events have profoundly impacted my present article, which in many ways is a personal reflection, but the termination of pregnancies and debates of when life begins and ends are not new. Rather, they have existed for centuries. As such, this review essay explores a play and three books attempting to disentangle fact from fiction surrounding these and other maternity-focused situations. In the play Alias Grace, written by Jennifer Blackmer and adapted from the novel by Margaret Atwood, supporting character Mary Whitney dies from an abortion. This play has particular resonance for me, since I directed a production of the play in Oklahoma in the fall...
Alias Grace; Not of Woman Born: Representations of Caesarean Birth in Medieval and Renaissance Culture; Abortion Politics; Mothering Rhetorics
NATALIE MCCABE is an Assistant Professor at Cameron University in Lawton, OK, U.S.A., where she directs one mainstage production per semester and teaches theatre courses covering topics such theatre history, playwriting, dramaturgy, acting, voice and diction, and exploring multiculturalism through the arts. She received her Ph.D. from the University of Missouri-Columbia in 2018, her MA from Catholic University of America in 2013, and her BA from Pennsylvania State University in 2007. Originally from Pennsylvania, she currently resides in southwest Oklahoma with her spouse and children.
Natalie McCabe; Alias Grace; Not of Woman Born: Representations of Caesarean Birth in Medieval and Renaissance Culture; Abortion Politics; Mothering Rhetorics. Ecumenica 26 May 2023; 16 (1): 83–96. doi: https://doi.org/10.5325/ecumenica.16.1.0083
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