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Volume 51, Issue 2
October 2020
Dickens Studies Annual Cover Image for Volume 51, Issue 2
ISSN 0084-9812
EISSN 2167-8510
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ARTICLES

A “Prentice-Knight in Days of Yore”: The Culture and Drama of Apprenticeship in Dickens's Barnaby Rudge
Alex Feldman
View articletitled, A “Prentice-Knight in Days of Yore”: The Culture and Drama of Apprenticeship in Dickens's <em>Barnaby Rudge</em>
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Barnaby Rudge, True Crime Style
Susan Cook
View articletitled, <em>Barnaby Rudge</em>, True Crime Style
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The History of Barnaby Rudge and the Culture of Imitation
Adam Abraham
View articletitled, The History of <em>Barnaby Rudge</em> and the Culture of Imitation
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“Looking Two Ways”: A Pivotal Paragraph in Bleak House and Esther's Missing Self-Reflection
Mark M. Hennelly, Jr.
View articletitled, “Looking Two Ways”: A Pivotal Paragraph in <em>Bleak House</em> and Esther's Missing Self-Reflection
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The Trouble with Tattycoram: Emotional Labor and the Dependent Woman in Little Dorrit
Abigail Arnold
View articletitled, The Trouble with Tattycoram: Emotional Labor and the Dependent Woman in <em>Little Dorrit</em>
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“Yup, So-Jeer”: Interlanguage and Ruptured Translation in Charles Dickens and Wilkie Collins's The Perils of Certain English Prisoners
Jacob Kurt Nielsen
View articletitled, “Yup, So-Jeer”: Interlanguage and Ruptured Translation in Charles Dickens and Wilkie Collins's <em>The Perils of Certain English Prisoners</em>
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The Squid and the Lentil: A-Hundred-and-Fifty Years under the Sea
Aaron Worth
View articletitled, The Squid and the Lentil: A-Hundred-and-Fifty Years under the Sea
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Dickens “was dead: to begin with”: Charles Dickens's Ghostly Afterlife in Neo-Victorian Narratives
Shari Hodges Holt
View articletitled, Dickens “was dead: to begin with”: Charles Dickens's Ghostly Afterlife in Neo-Victorian Narratives
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