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September - Volume 48, Issue 1
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Volume 48, Issue 1
September 2017
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ISSN
0084-9812
EISSN
2167-8510
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Preface
Extract
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Notes on Contributors
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From Xenophobia to Xenophilia: Dickens's Continental Drift
Sean Grass
Abstract
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Stenography and Orality in Dickens: Rethinking the Phonographic Myth
Hugo Bowles
Abstract
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Dickens's Wild Child: Nurture and Discipline after Peter the Wild Boy
Rae X. Yan
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Dickens, Hogarth, and Artistic Perception: The Case of
Nicholas Nickleby
Andrew Mangham
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The Art of Absence and Return in
Martin Chuzzlewit
Wayne Batten
Abstract
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Gathering and Scattering: Figuring Interest in
Martin Chuzzlewit
James Buzard
Abstract
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Finding Form in
David Copperfield
: The Architectural Installment
Daniel Siegel
Abstract
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Recognizing Status in Charles Dickens's
Hard Times
Albert D. Pionke
Abstract
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“Nothing Truer Than Physiognomy”: Body Semiotics and Agency in Charles Dickens's “Hunted Down” (1859)
Eike Kronshage
Abstract
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What Estella Knew: Questions of Secrecy and Knowing in
Great Expectations
Toru Sasaki
Abstract
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Performance Anxiety in
Our Mutual Friend
Daniel Pollack-Pelzner
Abstract
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The Challenge of Female Homoeroticism in
Our Mutual Friend
Michael D. Lewis
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Anticipated Ends, Atonement, and the Serialization of Gaskell's
North and South
Elizabeth Coggin Womack
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Paradise Returned: Hardy's
The Return of the Native
Clay Daniel
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“Making Literature Ridiculous”: Jerome K. Jerome and the New Humour
Carolyn W. de la L. Oulton
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Recent Dickens Studies—2015
Sarah Gates
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Front Matter
Front Matter
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Table of Contents
Table of Contents
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Eco-criticism(s) and Victorian Fiction: A Review Essay
Caught in Time: Performance and Spectatorship in
Our Mutual Friend
What’s in a Name? The Jenny Wren and
Our Mutual Friend
Redefining the Urban Philanthropy: Charity and Home in
Our Mutual Friend
Interview with Michael Hollington, the Anti-Specialist
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