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Volume 12, Issue 1
January 2014
Issue Cover
ISSN 2333-3073
EISSN 2333-3065
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Editor's Introduction
View articletitled, Editor's Introduction
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“I hope it has a nice endin”: Rewriting Postmodern Play in Cormac McCarthy's No Country for Old Men
Jeremey Cagle
View articletitled, “I hope it has a nice endin”: Rewriting Postmodern Play in Cormac McCarthy's <em>No Country for Old Men</em>
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Drawing Fire from the Text: Narrative and Morality in Blood Meridian
Jordan Carson
View articletitled, Drawing Fire from the Text: Narrative and Morality in <em>Blood Meridian</em>
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“The light is all around you, cept you dont see nothin but shadow:” Narratives of Religion and Race in The Stonemason and The Sunset Limited
Mary Brewer
View articletitled, “The light is all around you, cept you dont see nothin but shadow:” Narratives of Religion and Race in <em>The Stonemason</em> and <em>The Sunset Limited</em>
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Savage Garden: Edenic Motif and the Paradox of Civilization in Child of God
Eric C. Loy
View articletitled, Savage Garden: Edenic Motif and the Paradox of Civilization in <em>Child of God</em>
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“Where is your country?”: Locating White Masculinity in All the Pretty Horses
Meg King
View articletitled, “Where is your country?”: Locating White Masculinity in <em>All the Pretty Horses</em>
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Cormac McCarthy's Debt to Ernest Hemingway's Maestro: Allusions to Arnold Samuelson in All the Pretty Horses
Jeffrey Herlihy-Mera
View articletitled, Cormac McCarthy's Debt to Ernest Hemingway's Maestro: Allusions to Arnold Samuelson in <em>All the Pretty Horses</em>
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Contributor Biographies
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Reviews

The Cambridge Companion to Cormac McCarthy
Susan Kollin
View articletitled, The Cambridge Companion to Cormac McCarthy
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Cormac McCarthy and the Writing of American Spaces
O. Alan Noble
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