Abstract

Using Franco Moretti's concept of distant readings, this article frames the novels published after Suttree (1979) as a journey through the ruins of a postsouthern space. As a wide-ranging cluster, the ruins scattered across this space clarify a pattern established in his first four novels and completed in The Road (2006), a pattern that predicts the future end of Western exceptionalist ideologies such as Western Christianity and global capitalism, as well as affirms the universal law: “this, too, shall pass.”

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