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Volume 21, Issue 1
April 2024
Issue Cover
ISSN 1553-6505
EISSN 2572-4428
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Introduction

De amistades, en la amistad
Enrique García Santo-Tomás
View articletitled, De amistades, en la amistad
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Obituaries

Henry Wells Sullivan (1942–2023)
Raúl Galoppe
View articletitled, Henry Wells Sullivan (1942–2023)
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Aurelio González (1947–2022)
Lillian von der Walde Moheno
View articletitled, Aurelio González (1947–2022)
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Performance Articles

Honoring the Memory of Donald R. Larson (1935–2022)
Susan Paun de García
View articletitled, Honoring the Memory of Donald R. Larson (1935–2022)
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Reading for Performance

El dramaturgo es quien construye el personaje: el duque de Gloucester de Shakespeare y el de Ferrara de Lope
Isaac Benabu
View articletitled, El dramaturgo es quien construye el personaje: el duque de Gloucester de Shakespeare y el de Ferrara de Lope
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Metanoia y conversión en El Castigo sin venganza y en La vida es sueño
Manuel Delgado Morales
View articletitled, Metanoia y conversión en <em>El Castigo sin venganza</em> y en <em>La vida es sueño</em>
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El conde Alarcos: Honor, Excess, and the King
A. Robert Lauer
View articletitled, El conde Alarcos: Honor, Excess, and the King
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What Price Salvation?: Visual Signifiers in Calderón’s El gran mercado del mundo
Barbara Mujica
View articletitled, What Price Salvation?: Visual Signifiers in Calderón’s <em>El gran mercado del mundo</em>
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Women Trouble

Valor, agravio, y mujeres al borde
Bruce R. Burningham
View articletitled, Valor, agravio, y mujeres al borde
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Women’s Agency in El burlador de Sevilla: Xavier Albertí’s Mise en Scène (2022) in the Wake of #MeToo
Susan L. Fischer
View articletitled, Women’s Agency in <em>El burlador de Sevilla:</em> Xavier Albertí’s Mise en Scène (2022) in the Wake of #MeToo
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Staging Gender Norms, Sexual Harassment and Assault, and the Mujer Varonil
Valerie Hegstrom
View articletitled, Staging Gender Norms, Sexual Harassment and Assault, and the <em>Mujer Varonil</em>
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Dog Eat Dog: Staging Female Rivalry in David Johnston’s Translation of Lope’s The Dog in the Manger
Sharon D. Voros
View articletitled, Dog Eat Dog: Staging Female Rivalry in David Johnston’s Translation of Lope’s <em>The Dog in the Manger</em>
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Music and Performance

The King on Stage: Philip IV and the Projection of Power in Lope de Vega’s Opera La selva sin amor
Chad M. Gasta
View articletitled, The King on Stage: Philip IV and the Projection of Power in Lope de Vega’s Opera <em>La selva sin amor</em>
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Mira de Amescua’s Voces del Cielo Speak, Vélez de Guevara’s Sing Dramatic Ballads—Critical Notes
C. George Peale
View articletitled, Mira de Amescua’s <em>Voces del Cielo</em> Speak, Vélez de Guevara’s Sing Dramatic Ballads—Critical Notes
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Contextualizing Extant Music for Song-texts in Selected Plays by Lope de Vega
J. Yuri Porras
View articletitled, Contextualizing Extant Music for Song-texts in Selected Plays by Lope de Vega
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Translating and Rewriting Sources

No Laughing Matter: Translating the Ludic Imagination in Lope de Vega
David Johnston
View articletitled, No Laughing Matter: Translating the Ludic Imagination in Lope de Vega
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“A ninguno imitó; nació para maestro, y no discípulo”: Calderón’s Early Debt to Lope de Vega and Others
Jonathan Thacker
View articletitled, “A ninguno imitó; nació para maestro, y no discípulo”: Calderón’s Early Debt to Lope de Vega and Others
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Authorship and Aesthetic Experience in the Comedia: The Genesis of Calderón’s A secreto agravio, secreta venganza
Robert M. Johnston
View articletitled, Authorship and Aesthetic Experience in the <em>Comedia</em>: The Genesis of Calderón’s <em>A secreto agravio, secreta venganza</em>
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Texto y tempestad: la furia del mar y la imitación poética en la épica y la novela de la España altomoderna
Elizabeth B. Davis
View articletitled, Texto y tempestad: la furia del mar y la imitación poética en la épica y la novela de la España altomoderna
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Pedagogies

“Decir a voces esto”: Una adaptación digital de El conde Partinuplés
María Ángeles Fernández Cifuentes
View articletitled, “Decir a voces esto”: Una adaptación digital de <em>El conde Partinuplés</em>
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Children’s Theater Production Workshop: Diversifying the Classics and LA Librería
Sofía Yazpik; Amed Galo Lopez
View articletitled, Children’s Theater Production Workshop: Diversifying the Classics and LA Librería
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Fortune and Misfortune on the Stage: Ângela de Azevedo’s Marian Comedia in the Classroom and Beyond
Persephone Hernandez-Vogt
View articletitled, Fortune and Misfortune on the Stage: Ângela de Azevedo’s Marian <em>Comedia</em> in the Classroom and Beyond
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Interviews

Recuperar la intrahistoria de los clásicos: Entrevista a Alberto Conejero
Esther Fernández
View articletitled, Recuperar la intrahistoria de los clásicos: Entrevista a Alberto Conejero
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Fuenteovejuna, todos a una: Un proyecto de teatro popular. Entrevista a José Carlos Cuevas y Pedro Hofhuis, directores, y Carmen Chávez, actriz. Fuente Obejuna, Andalucía, 19 de agosto de 2022
Victoria Jane Rasbridge
View articletitled, <em>Fuenteovejuna,</em> todos a una: Un proyecto de teatro popular. Entrevista a José Carlos Cuevas y Pedro Hofhuis, directores, y Carmen Chávez, actriz. Fuente Obejuna, Andalucía, 19 de agosto de 2022
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“Cómo estudiar todo lo que no nos enseñaron”: Una conversación sobre la serie Juana Inés con Monika Revilla
Margaret E. Boyle
View articletitled, “Cómo estudiar todo lo que no nos enseñaron”: Una conversación sobre la serie <em>Juana Inés</em> con Monika Revilla
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Hijas de Felipe y Podcast como Performance: “Nos interesa de esta época por nuestro momento presente”
Margaret E. Boyle
View articletitled, <em>Hijas de Felipe</em> y Podcast como Performance: “Nos interesa de esta época por nuestro momento presente”
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Hacia una interpretación de Amicus Nebrija (2022): diálogo monologado con Denis Rafter
Susan L. Fischer
View articletitled, Hacia una interpretación de <em>Amicus Nebrija</em> (2022): diálogo <em>monologado</em> con Denis Rafter
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Performance Review

El muerto disimulado by Ângela de Azevedo. Directed by Laura Garmo and Nacho León. Teatro a bocajarro. Casa Palacio de los Villarreal. July 12, 2022
Valerie Hegstrom
View articletitled, <em>El muerto disimulado</em> by Ângela de Azevedo. Directed by Laura Garmo and Nacho León. Teatro a bocajarro. Casa Palacio de los Villarreal. July 12, 2022
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Fuente Ovejuna (1612), by Lope de Vega. Translated by Adrian Mitchell. Directed by Flordelino Lagundino. Theatre for a New Audience, Polonsky Shakespeare Center, Brooklyn, NY. April 30–May 28, 2023
Claudia Mesa Higuera
View articletitled, <em>Fuente Ovejuna</em> (1612), by Lope de Vega. Translated by Adrian Mitchell. Directed by Flordelino Lagundino. Theatre for a New Audience, Polonsky Shakespeare Center, Brooklyn, NY. April 30–May 28, 2023
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Los empeños de una casa, de Sor Juana Inés de la Cruz. EFE TRES Teatro and Teatro de los Sótanos, Corner Stage, University of Alberta, April 19, 2023, and Elder Jerry Wood Atrium, Allard Hall, MacEwan University, April 20, 2023
Erin Alice Cowling; Amanda Fuenmayor
View articletitled, <em>Los empeños de una casa</em>, de Sor Juana Inés de la Cruz. EFE TRES Teatro and Teatro de los Sótanos, Corner Stage, University of Alberta, April 19, 2023, and Elder Jerry Wood Atrium, Allard Hall, MacEwan University, April 20, 2023
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Chronicles

Exprimiendo el jugo de los clásicos iberoamericanos: XXII Festival Iberoamericano del Siglo de Oro en Alcalá de Henares
Aroa Algaba Granero
View articletitled, Exprimiendo el jugo de los clásicos iberoamericanos: XXII Festival Iberoamericano del Siglo de Oro en Alcalá de Henares
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Lope, sin fin, todo lo vence en la decimoséptima edición del Festival Olmedo Clásico
Adrián Velasco Sainz
View articletitled, Lope, sin fin, todo lo vence en la decimoséptima edición del Festival Olmedo Clásico
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Book Reviews

Norton Roy and Jonathan Thacker, eds. A Companion to Calderón de la Barca
Alessandra Criscuolo
View articletitled, Norton Roy and Jonathan Thacker, eds. <em>A Companion to Calderón de la Barca</em>
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William Manson and C. George Peale, eds. Los fijos de la Barbuda. Estudio introductorio de Javier Irigoyen-García
Alejandro García-Reidy
View articletitled, William Manson and C. George Peale, eds. <em>Los fijos de la Barbuda</em>. Estudio introductorio de Javier Irigoyen-García
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Eric Calderwood. On Earth or in Poems: The Many Lives of Al-Andalus
Rob Bayliss
View articletitled, Eric Calderwood. <em>On Earth or in Poems: The Many Lives of Al-Andalus</em>
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Esther Fernández and Adrienne L. Martín, eds. Drawing the Curtain: Cervantes’s Theatrical Revelations
Aaron M. Kahn
View articletitled, Esther Fernández and Adrienne L. Martín, eds. <em>Drawing the Curtain: Cervantes’s Theatrical Revelations</em>
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Simon Kroll. Sonido y afecto en Calderón. Un estudio de las asonancias
A. Robert Lauer
View articletitled, Simon Kroll. <em>Sonido y afecto en Calderón. Un estudio de las asonancias</em>
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Sara Sánchez Hernández. Juan del Encina a escena. Análisis de la teatralidad de las piezas dramáticas del Cancionero
Roser López Cruz
View articletitled, Sara Sánchez Hernández. <em>Juan del Encina a escena. Análisis de la teatralidad de las piezas dramáticas del Cancionero</em>
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AHCT 2023 Founders’ Prizes
View articletitled, AHCT 2023 Founders’ Prizes
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