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Volume 16, Issue 1
April 2019
Comedia Performance Cover Image for Volume 16, Issue 1
ISSN 1553-6505
EISSN 2572-4428
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ARTICLES

Truth, Only More So: Bances Candamo Beyond the Limits of Embodiment
John Slater
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Calderón reloaded: El gran mercado del mundo para niños
María Ángeles Fernández
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Performing Peribáñez y el Comendador de Ocaña: Music as an Agent of Harmony
Ivy Howell Walters
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The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production
Eduardo Paredes Ocampo
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Comedias Sueltas as Performance Texts
Ronna S. Feit
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Swordplay Uncloaked: Women as Active Agents in Ana Caro’s Valor, agravio, y mujer and Lope de Vega’s La pobreza estimada
Elizabeth Marie Cruz Petersen
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Performance Reviews

El burlador de Sevilla
Philip Allen
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Mestiza
Erin Alice Cowling
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Love’s a Bitch
Barbara Fuchs
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El valiente negro en Flandes
Melissa Figueroa
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Interview

“El género no puede ser un impedimento”: una conversación sobre Ana Caro con la directora Leyma López
Margaret E. Boyle
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Book Reviews

A lo que obliga el ser rey
Ronna S. Feit
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Staging the Spanish Golden Age: Translation and Performance
Sarah Grunnah
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Los amotinados de Flandes
Robert L. Turner, III
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Los españoles en Chile
Robert L. Turner, III
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Women’s Somatic Training in Early Modern Spanish Theater
Susan Paun De García
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