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Volume 14, Issue 1
April 2017
Comedia Performance Cover Image for Volume 14, Issue 1
ISSN 1553-6505
EISSN 2572-4428
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Editor's (Almost) Goodbye
Barbara Mujica
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Performance Studies

Don Quixote Sallies to the Boards of the Bard: Reflections on the Non Dit, the Proprement Dit, and the Trop Dit in Performance
Susan L. Fischer
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Entre la comedia del Siglo de Oro Español y Brecht: Aspectos de la Representación
Isaac Benabu
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Space, Performance, and Subversion in Sóror Violante Do Céu's Villancicos
Anna-Lisa Halling
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“Volved los ojos, y vello”: Staging Comedia Corpses
Jane W. Albrecht
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Diversifying the Classics: Adapting Hispanic Classical Theater to Contemporary Los Angeles
Barbara Fuchs
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Reinventing Herself: María Álvarez's Legacy as Actor, Director, Mentor
Elizabeth Marie; Cruz Petersen
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Interviews

“A Game and a Sense of Strategy”: Playwright Callie Kimball on Sofonisba Anguissola
Margaret E. Boyle
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The Cross Border Project y Los Clásicos Sin Fronteras: Entrevista con Lucía Miranda
Esther Fernández
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Theater Reviews

El cerco de Numancia
Philip Allen
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El perro del hortelano
Ian Borden; Lincoln Kerry Wilks
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El último Quijote
Xabier Fole Varela
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Book Reviews

Cervantes's Eight Interludes
Jaime Cruz-Ortiz
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Remaking the Comedia. Spanish Classical Theater in Adaptation
Anthony J. Grubbs
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Shakespeare and the Spanish Comedia: Translation, Interpretation, Performance: Essays in Honor of Susan L. Fischer
Maryrica Ortiz Lottman
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