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Volume 56, Issue 4
November 2019
Comparative Literature Studies Cover Image for Volume 56, Issue 4
ISSN 0010-4132
EISSN 1528-4212
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Introduction

Literature and Complicity: Then and Now
Adam Kelly; Will Norman
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ARTICLES

Toward a New Complicity for New Media
Naomi Mandel
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Privileged, Hypocritical, and Complicit: Contemporary Scandinavian Literature and the Egalitarian Imagination
Devika Sharma
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Complicit Atmospheres: Anti-Semitism and Midcentury U.S. Fiction
Will Norman
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Complicity, for the Time Being: Nuclear Entanglements from Atoms for Peace to Fukushima
Jessica Hurley
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Sequestered History: Collaboration and Complicity in Jean-Paul Sartre's Les Séquestrés D'altona (The Sequestered of Altona) and Noma Hiroshi's Shinkū Chitai 真空地帯 (Zone of Emptiness)
Jessica Copley
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Hazy Analogies: Sexual and Colonial Complicities in Annie Ernaux's Mémoire de Fille
Gabriella Lindsay
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“Nought Noone Nowhere Ne'er!”: Postwar Germany, Arno Schmidt, and the Representation of Complicit Noncomplicity
Kai Evers
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Unburdening the Past: Transhistorical Representations of Complicity in Contemporary Turkish-German Fiction and Film
Pelin Kivrak
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Book Reviews

The Ethics of Theory: Philosophy, History, Literature
Ulf Schulenberg
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The Third Notion of Comparative Literature: The Possibility of Literary Archeology
Jiexin Yi
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Hemispheric Imaginations: North American Fictions of Latin America
Astrid Haas
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Symptoms of an Unruly Age: Li Zhi and the Cultures of Early Modernity
Michael Gibbs Hill
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Literary Translations and the Making of Originals
Shengyu Fan
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Complicities: The People's Republic of China in Global Capitalism
Xiaoxia Lin
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In The Presence of Power: Court and Performance in The Pre-Modern Middle East
Katie Sisneros
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Transpacific Community: The Rise and Fall of a Cultural Network
Darwin H. Tsen
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Literary Universe in Three Parts: Language, Fiction, Experience
David S. Danaher
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Don Quixote. The Re-accentuation of the World's Greatest Literary Hero
Carolyn A. Nadeau
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Displacement and the Somatics of Postcolonial Culture
Seyedeh Shabnam Shamsedin
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An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino
Klas Molde
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Romance and History: Imagining Time from the Medieval to the Early Modern Period
William Biel
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