Twelve chapters comprise the anthology, including the exemplary Introduction. It is the best Bolaño critical ensemble since Bolaño Salvaje (2006). It best compares with articles from a published conference, updating issues and inventing others, ahead of the next round on Bolaño it so well inspires. First Part: “Bolaño and World History” delves deep into fascism in fictional and counterfactual terms (Federico Finchelstein); into Nocturno de Chile, extended into Nietzsche and Junger and European aestheticism (Thomas O. Beebee); and also into Amuleto's “ethical turn” and its recasting of Mexico's 1968 students insurgency, less in revolutionary ideological terms, more so through the narration's distanced moral reflections (Juan De Castro). Second Part: “Bolaño's Literary Worlds” offers piercing and documented analyses of regional legacies and their cosmopolite betrayal by theory, counterfeit jargon, arcane correctedness (Will Corral); a subtle Bolaño who in Detectives Salvages experiments in modernist techniques as much as did older...
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Book Review|
May 15 2018
Roberto Bolaño as World Literature
Roberto Bolaño as World Literature
. Edited by Birns, Nicholas and De Castro, Juan E.. New York
: Bloomsbury Publishing
, 2017
. viii + 229 pp. Hardcover $110.00.
Eduardo González
Eduardo González
John Hopkins University
eduardo gonzález has taught at Williams, Bennington, UNC Chapel Hill and ever since at Johns Hopkins. He is the author of The Monstered Self (1992), Cuba and the Tempest (2006), and Cuba and the Fall (2010). He is currently at work on the drama of statecraft and spectacular dying in plays from Machiavelli, Shakespeare and Calderón to Hofmannsthal.
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Comparative Literature Studies (2018) 55 (2): 466–469.
Citation
Eduardo González; Roberto Bolaño as World Literature. Comparative Literature Studies 15 May 2018; 55 (2): 466–469. doi: https://doi.org/10.5325/complitstudies.55.2.0466
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