Ursula K. Heise's absorbing and eclectic book distinguishes itself from writing about extinction's historical emergence and contemporary urgency. On the cusp of the sixth mass extinction in Earth's history, Imagining Extinction instead presents us with a metanarrative about the various modes, genres, and rhetorics of cultural engagement with biodiversity and species endangerment. Using an array of literary texts, aesthetic artifacts, and discursive interventions drawn from the late twentieth and early twenty-first centuries, Heise poses vital questions about how cultural lenses can shape our understanding of extinction as a scientific and ethico-political challenge. The strong syncretism of approach that characterized her agenda-setting Sense of Place and Sense of Planet (2008) is similarly on offer in this vibrant study. Heise starts by producing fresh accounts of the interchange among cultural spheres, juxtaposing conservation science with popular-scientific writing, fiction, and contemporary art to assess the stakes of conjuring extinction in an elegiac mode....
Imagining Extinction: The Cultural Meanings of Endangered Species Available to Purchase
daniel williams is a junior fellow at the Harvard Society of Fellows. He is currently working on a book about uncertainty in the nineteenth-century British novel, in connection with developments in science, philosophy, and the law. A second project on weather, climate, and the imagination of social form in the nineteenth century is also underway. His articles on aspects of Victorian literature, science, and aesthetics have appeared in NOVEL, ELH, Victorian Poetry, Nineteenth-Century Contexts, and Genre. He has also published on twentieth- and twenty-first-century British and South African literature.
Daniel Williams; Imagining Extinction: The Cultural Meanings of Endangered Species. Comparative Literature Studies 31 May 2017; 54 (2): 468–472. doi: https://doi.org/10.5325/complitstudies.54.2.0468
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