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Issue
January - Volume 52, Issue 1
April - Volume 52, Issue 2
July - Volume 52, Issue 3
October - Volume 52, Issue 4
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Volume 52, Issue 1
January 2017
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ISSN
0009-2002
EISSN
1528-4204
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About This Issue
David Raybin
;
Susanna Fein
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Introduction: Looking Forward, Looking Back on the
Legend of Good Women
Betsy McCormick
;
Leah Schwebel
;
Lynn Shutters
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Chaucer's Poetics and Purposes in the
Legend of Good Women
Carolyn P. Collette
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Livy and Augustine as Negative Models in the
Legend of Lucrece
Leah Schwebel
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John Gower Copies Geoffrey Chaucer
Andrew Cole
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“Pite renneth soone in gentil herte”: Ugly Feelings and Gendered Conduct in Chaucer's
Legend of Good Women
Glenn Burger
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The Thought and Feel of Virtuous Wifehood: Recovering Emotion in the
Legend of Good Women
Lynn Shutters
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Beautiful Suffering and the Culpable Narrator in Chaucer's
Legend of Good Women
Irina Dumitrescu
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Author, Text, and Paratext in Early Modern Editions of the
Legend of Good Women
Megan L. Cook
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Chivalric Men and Good(?) Women: Chaucer, Gender, and John Bossewell's
Workes of Armorie
Nancy Bradley Warren
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Afterword: Re-reading, or, When You Were Mine
Carolyn Dinshaw
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Front Matter
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Table of Contents
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Geoffrey Chaucer, Cecily Chaumpaigne, and the Statute of Laborers: New Records and Old Evidence Reconsidered
Coda: Translating Chaucer’s
Queynte
“How the old carling did so crack”: Volubility, Aging, and Obscenity in Two Ballad Reimaginings of the Wife of Bath
APPENDIX 2. Transcriptions and Translations
Chaucerian Obscenity
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