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Volume 1, Issue 2
December 2020
Issue Cover
ISSN 2688-3635
EISSN 2688-3643
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Editors’ Note ★ ★ ★
Katie Kapurch; Kenneth Womack; Joe Rapolla
View articletitled, Editors’ Note ★ ★ ★
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ARTICLES

Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music
Lori Burns
View articletitled, Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music
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“Where Do You Go When the Radio’s Down?”: Black Women Experimental Pop Artists, “Alternative R&B,” and the Simultaneous Dissolution and Persistence of Musical Genre
Christine Capetola
View articletitled, “Where Do You Go When the Radio’s Down?”: Black Women Experimental Pop Artists, “Alternative R&B,” and the Simultaneous Dissolution and Persistence of Musical Genre
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Reproducing Inheritance: How the Country Music Association’s Award Criteria Reinforce Industry White Supremacy Capitalist Patriarchy
Jada Watson
View articletitled, Reproducing Inheritance: How the Country Music Association’s Award Criteria Reinforce Industry White Supremacy Capitalist Patriarchy
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“What Are You Gonna Tell Her?”: The Power of Black Women’s Narratives
Kimberly Mack
View articletitled, “What Are You Gonna Tell Her?”: The Power of Black Women’s Narratives
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Unvaulting “Disney Plus Pop” in 2021: Romance, Melodrama, and Remembering in Taylor Swift’s All Too Well, McCartney’s Lyrics, and The Beatles: Get Back
Katie Kapurch
View articletitled, Unvaulting “Disney Plus Pop” in 2021: Romance, Melodrama, and Remembering in Taylor Swift’s <em>All Too Well</em>, McCartney’s <em>Lyrics</em>, and <em>The Beatles: Get Back</em>
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Steal My Girl
Sarah Dougher
View articletitled, Steal My Girl
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Wild Strategies: Women and Music Research
Tara Lopez
View articletitled, Wild Strategies: Women and Music Research
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An American Grrrl’s Fab Four: Beatles Fandom as Autoethnographic Framework
Christine Feldman-Barrett
View articletitled, An American Grrrl’s Fab Four: Beatles Fandom as Autoethnographic Framework
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Stepping onto the Pop Dance Floor
James Gabrillo
View articletitled, Stepping onto the Pop Dance Floor
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