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Volume 1, Issue 2

December 2020

ISSN 2688-3635

EISSN 2688-3643

In this Issue

ARTICLES

Editors’ Note ★ ★ ★

Katie Kapurch; Kenneth Womack; Joe Rapolla

ARTICLES

Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music

Lori Burns

“Where Do You Go When the Radio’s Down?”: Black Women Experimental Pop Artists, “Alternative R&B,” and the Simultaneous Dissolution and Persistence of Musical Genre

Christine Capetola

Reproducing Inheritance: How the Country Music Association’s Award Criteria Reinforce Industry White Supremacy Capitalist Patriarchy

Jada Watson

“What Are You Gonna Tell Her?”: The Power of Black Women’s Narratives

Kimberly Mack

Unvaulting “Disney Plus Pop” in 2021: Romance, Melodrama, and Remembering in Taylor Swift’s All Too Well, McCartney’s Lyrics, and The Beatles: Get Back

Katie Kapurch

Steal My Girl

Sarah Dougher

Wild Strategies: Women and Music Research

Tara Lopez

An American Grrrl’s Fab Four: Beatles Fandom as Autoethnographic Framework

Christine Feldman-Barrett

Stepping onto the Pop Dance Floor

James Gabrillo

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Controversy: Materializing the Mystique and Mythology of Prince

Stepping onto the Pop Dance Floor

Wild Strategies: Women and Music Research

Editors’ Note ★ ★ ★

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