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2020
Issue
December - Volume 1, Issue 1
December - Volume 1, Issue 2
Volume 1, Issue 2
December 2020
ISSN 2688-3635
EISSN 2688-3643
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In this Issue
ARTICLES
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Editors’ Note ★ ★ ★
Katie Kapurch
;
Kenneth Womack
;
Joe Rapolla
Extract
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ARTICLES
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music
Lori Burns
Abstract
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“Where Do You Go When the Radio’s Down?”: Black Women Experimental Pop Artists, “Alternative R&B,” and the Simultaneous Dissolution and Persistence of Musical Genre
Christine Capetola
Abstract
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Reproducing Inheritance: How the Country Music Association’s Award Criteria Reinforce Industry White Supremacy Capitalist Patriarchy
Jada Watson
Abstract
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“What Are You Gonna Tell Her?”: The Power of Black Women’s Narratives
Kimberly Mack
Abstract
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Unvaulting “Disney Plus Pop” in 2021: Romance, Melodrama, and Remembering in Taylor Swift’s
All Too Well
, McCartney’s
Lyrics
, and
The Beatles: Get Back
Katie Kapurch
Abstract
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Steal My Girl
Sarah Dougher
Abstract
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Wild Strategies: Women and Music Research
Tara Lopez
Abstract
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An American Grrrl’s Fab Four: Beatles Fandom as Autoethnographic Framework
Christine Feldman-Barrett
Abstract
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Stepping onto the Pop Dance Floor
James Gabrillo
Abstract
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Front Matter
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Controversy
: Materializing the Mystique and Mythology of Prince
Stepping onto the Pop Dance Floor
Wild Strategies: Women and Music Research
Editors’ Note ★ ★ ★
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