This collection presents a traversing across the theories of Jacques Lacan that moves toward theories about comic art and comic laughter, but, like the arrow in Zeno's paradox, never quite arrives. The title suggests this scenario, for the volume of essays is surely about Jacques Lacan and psychoanalysis but not much about its third term, “comedy.” At least, not about comedy as a genre, as in stage comedy, though certain plays are mentioned and even analyzed. Rather than “comedy,” maybe “jouissance” should have been the third term, but in any case the basic objects of study in the essays are human subjectivity and the psychoanalytic method for explaining it. Sigmund Freud taught everyone that jokes are momentary glimpses into the unconscious, and that insight serves as keystone for the commentary on comic art and comic laughter found in this collection. Lacan built on and revised Freudian theory, but that task...
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Book Review|
October 01 2018
Lacan, Psychoanalysis, and Comedy
Lacan, Psychoanalysis, and Comedy
Edited by Gherovici, Patricia and Steinkoler, ManyaCambridge
: Cambridge University Press
, 2016
. 247 pp.
James E. Caron
James E. Caron
JAMES E. CARON is professor of English at the University of Hawaiʽi at Mānoa. In addition to articles on comic art and comic laughter, he has published Mark Twain, Unsanctified Newspaper Reporter and coedited a collection of essays on Charlie Chaplin titled Refocusing Chaplin: A Screen Icon in Critical Contexts. He is the past president of the American Humor Studies Association.
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Studies in American Humor (2018) 4 (2): 287–292.
Citation
James E. Caron; Lacan, Psychoanalysis, and Comedy. Studies in American Humor 1 October 2018; 4 (2): 287–292. doi: https://doi.org/10.5325/studamerhumor.4.2.0287
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