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Volume 18, Issue 2
Fall 2018
CR: The New Centennial Review Cover Image for Volume 18, Issue 2
ISSN 1532-687X
EISSN 1539-6630
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Editors’ Note
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Special Guest Editor’s Note: The Cry of Music
Irving Goh
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Escaping Meaning, Escaping Music
Claire Colebrook
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Parts to Sing Empty
Carolyn Chen
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How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre
Jeremy Braddock; Timothy Morton
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Film Theory and Synchronization
Joanna Bailie
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On Not Letting Sounds Be Themselves
Holly Watkins
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Deconstructing the Grammatologies of Music: A Tool for Composing
Fabien Lévy; Christopher Swithinbank
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Late Capitalism on Vinyl: Neoliberalism, Biopolitics, and Music
Jeffrey R. Di Leo
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Liquid Chaos
Ashley Fure
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Who Vibrates?
Christopher Swithinbank
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The Breath of Sound
Tatiana Catanzaro
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A Music Worthy of the Name: Or, Agamben’s Museicology
Naomi Waltham-Smith
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Variations on the Reprise
Jean-Luc Nancy; Irving Goh
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Sketches of Moral Duress: On the Analytics of White Liberal Ethicality—Mediating Crisis in the U.S. National (Racial) Form
Casey R. Goonan
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“Can the university stand for peace?”: Omar Khadr, Higher Education, and the Question of Hospitality
David L. Clark
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Contributors
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