How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre
Jeremy Braddock is Associate Professor of English at Cornell University. He is the author of Collecting as Modernist Practice (Johns Hopkins University Press, 2012), which won the 2013 Modernist Studies Association book prize. Recent essays include “The Scandal of a Black Ulysses,” on the reception of Timothy Morton is Rita Shea Guffey Chair in English at Rice University. He has collaborated with Björk, Jeff Bridges, Jennifer Walshe, Olafur Eliasson, Haim Steinbach, and Pharrell Williams. He is the author of Being Ecological (Penguin, 2018), Humankind: Solidarity with Nonhuman People (Verso, 2017), Dark Ecology: For a Logic of Future Coexistence (Columbia, 2016), Nothing: Three Inquiries in Buddhism (Chicago, 2015), Hyperobjects: Philosophy and Ecology after the End of the World (Minnesota, 2013), Realist Magic: Objects, Ontology, Causality (Open Humanities, 2013), The Ecological Thought (Harvard, 2010), Ecology without Nature (Harvard, 2007), eight other books and 200 essays on philosophy, ecology, literature, music, art, architecture, design and food; he co-wrote and appears in Living in the Future’s Past, a film about global warming with Jeff Bridges. In 2014 Morton gave the Wellek Lectures in Theory. Blog: http://www.ecologywithoutnature.blogspot.com. Twitter:@the_eco_thought
Jeremy Braddock, Timothy Morton; How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre. CR: The New Centennial Review 1 July 2018; 18 (2): 39–68. doi: https://doi.org/10.14321/crnewcentrevi.18.2.0039
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