First as Minstrelsy, Then as Farce: On the Spectacle of Race in the Theater of Young Jean Lee
RYAN ANTHONY HATCH is a doctoral candidate of the Center for the Study of Psychoanalysis and Culture at the University at Buffalo, State University of New York. His dissertation, Subtracting the Spectator: Antitheatrical Structure and the Political Ontology of Avant-Garde Theater, examines the political stakes and aesthetic effects of the antitheatrical revolution in avant-garde theater from Brecht to Young Jean Lee. His work has appeared in PAJ: A Journal of Performance and Art, Umbr(a), Correspondances, and Culturebot. He is a working dramaturg, a member of the editorial collective of Umbr(a): A Journal of the Unconscious, and a founding member of the Buffalo Circle of the École freudienne du Québec.
Ryan Anthony Hatch; First as Minstrelsy, Then as Farce: On the Spectacle of Race in the Theater of Young Jean Lee. CR: The New Centennial Review 1 November 2013; 13 (3): 89–114. doi: https://doi.org/10.14321/crnewcentrevi.13.3.0089
Download citation file: